bibliography
books and exhibition catalogs
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Aglionby, William. The Present State of the United Provinces of the Low-Countries as to the Government, Laws, Forces, Riches, Manners, Customs, Revenue, and Territory of the Dutch. Collected by W. A. Fellow. London: John Starkey, 1669.
Alpers, Svetlana. The Art of Describing: Dutch Art in the Seventeenth Century. Chicago: University of Chicago Press, 1984.
Andersen, Hans Christian. What the Moon Saw and Other Tales. Translated by H. W. Dulcken. London: George Routledge and Sons, 1871.
Arikawa, Haruo, Han van Crimpen, et al. Vincent van Gogh: International Symposium. Tokyo: Tokyo Shimbun, 1988.
Arnold, Wilfred Neil. Vincent van Gogh: Chemicals, Crises, and Creativity. Boston: Birkhaüser, 1992.
Aurier, Gustave-Albert. Oeuvres posthumes. Paris: Mercure de France, 1893.
Baedeker, Karl. Belgium and Holland: Handbook for Travelers. London and Paris: Williams & Northgate and Haar & Steinbert, 1869.
———. Paris and Environs. Leipzig: Karl Baedeker, 1888.
Baena, Duke de. The Dutch Puzzle. The Hague: Boucher, 1966.
Bailey, Martin. Van Gogh in England: Portrait of the Artist as a Young Man. London: Barbican Gallery, 1992.
———. Young Vincent: The Story of Van Gogh’s Years in England. London: Allison and Busby, 1990.
Balzac, Honoré de. Lost Illusions (Illusions perdues). Translated by Herbert J. Hunt. London: Penguin Books, 1837-43.
Barentsen, P. A. Het Oude Kempenland. Groningen: Noordhoff, 1935.
Baring-Gould, S. In Troubadour-Land: A Ramble in Provence and Languedoc. London: W. H. Allen & Co., 1891.
Bernier, Georges. Paris Cafés: Their Role in the Birth of Modern Art. New York: Wildenstein, 1985.
Billen, Claire, and Jean-Marie Duvosquel, eds. Brussels. Antwerp: Mercatorfonds, 2000.
Blanc, Charles. Les artistes de mon temps. Paris: Firmin-Didot, 1876.
Blanch, Leslie. Pierre Loti: The Legendary Romantic; A Biography. New York: Carroll and Graf, 1985.
Blom, J.C.H., and Emiel Lamberts, eds. History of the Low Countries. Oxford and New York: Berghahn Books, 1999.
Blumer, Dietrich, ed. Psychiatric Aspects of Epilepsy. Washington, D.C.: American Psychiatric Press, 1984.
Bonnet, Marcel. Au coeur du vieux Saint-Rémy. Saint-Rémy-de-Provence: Office de tourisme, 1979.
Bossenbroek, Martin, and Jan H. Kompagnie. Het mysterie van de verdwenen bordelen: Prostitutie in Nederland in de negentiende eeuw. Amsterdam: Bert Bakker, 1998.
Bossuet, Jacques-Bénigne. Selections from the Funeral Orations of Bossuet. Boston: D. C. Heath, 1907.
Botwinick, Michael, ed. Belgian Art, 1880-1914 (Belgische Kunst, L’art belge). Brooklyn: Brooklyn Museum and Brussels: The Ministries of Communities of the Government of Belgium, 1980.
Bouyer, Raymond. Anton Mauve: Sa vie, son oeuvre. Paris: Ch. Soccard, 1898.
Brettell, Richard, et al. The Art of Paul Gauguin. Washington: National Gallery of Art and Chicago: Art Institute of Chicago, 1988.
Brouwer, Jaap W., Jan Laurens Siesling, and Jacques Vis. Anthon van Rappard. Translated by G. Kilburn and G. Schwartz. Amsterdam: Rijksmuseum Vincent van Gogh and Maarssen: Gary Schwartz, 1974.
Brown, Frederick. Flaubert: A Biography. Cambridge, Mass.: Harvard University Press, 2007.
Brugmans, I. J. Stapvoets voorwaarts: Sociale geschiedenis van Nederland in de negentiende eeuw. Bussum, The Netherlands: Fibula-Van Dishoeck, 1970.
Bulwer-Lytton, Edward. Kenelm Chillingly and Godolphin. Boston: Dana Estates, 1880.
Bunyan, John. The Entire Works of John Bunyan. Vol. 1. London: James S. Virtue, 1859.
———. The Pilgrim’s Progress. Edited with an introduction by N. H. Keeble. Oxford: Oxford University Press, 1984.
Burchell, S. C. Imperial Masquerade: The Paris of Napoleon III. New York: Atheneum, 1971.
Byrne, Julia Clara (Busk). Gheel: The City of the Simple. London: Chapman and Hall, 1869.
Caird, Mona. Romantic Cities of Provence. London: T. Fisher Unwin, 1906.
Carlyle, Thomas. The Complete Works of Thomas Carlyle. Boston: Dana Estes and Charles E. Lauriat, 1884.
———. On Heroes, Hero-Worship, and the Heroic in History. Boston: Houghton Mifflin and Company, 1907.
———. Sartor Resartus. Edited by Archibald MacMechan. Boston: Ginn & Company, 1896.
Carpenter, Humphry, and Mari Prichard, eds. The Oxford Companion to Children’s Literature. Oxford: Oxford University Press, 1999.
Carter, G. R., E. F. Flores, and D. J. Wise, eds. A Concise Review of Veterinary Virology. Ithaca, N.Y.: International Veterinary Information Service, www.ivis.org.
Cate, Phillip Dennis, and Mary Shaw, eds. The Spirit of Montmartre: Cabarets, Humor, and the Avant-Garde, 1875-1905. New Brunswick: Jane Voorhees Zimmerli Art Museum and Rutgers: The State University of New Jersey, 1996.
Cates, Michael, and Diane Chamberlain, eds. The Maritime Heritage of Thanet. Ramsgate: East Kent Maritime Trust, 1997.
Chapman, Joan M., and Brian Chapman. The Life and Times of Baron Haussmann: Paris in the Second Empire. London: Weidenfeld and Nicolson, 1957.
Chassé, Charles. Gauguin et le groupe de Pont-Aven: Documents inédits. Paris: H. Floury, 1921.
Chetham, Charles S. The Role of Vincent van Gogh’s Copies in the Development of His Art. New York: Garland Publishing, 1976.
Chevalier, Louis. Classes laborieuses et classes dangereuses à Paris pendant la première moitié du XIX siècle. Paris: Plon, 1958.
Chevreul, Michel Eugène. The Principles of Harmony and Contrast of Colors and Their Applications to the Arts. New York: Reinhold, 1967.
Clark, T. J. The Painting of Modern Life: Paris in the Art of Manet and His Followers. New York: Alfred A. Knopf, 1985.
Clébert, Jean-Paul, and Pierre Richard. La Provence de Van Gogh. Aix-en-Provence: Édisud, 1981.
Clegg, Gillian. Chiswick Past. London: Historical Publications, 1995.
Clement, Russell T., and Annick Houzé. Neo-Impressionist Painters: A Sourcebook on Georges Seurat, Camille Pissarro, Paul Signac, Théo Van Rysselberghe, Henri Edmond Cross, Charles Angrand, Maximilien Luce, and Albert Dubois-Pillet. Westport, Conn.: Greenwood Press, 1999.
Cloake, John. Richmond Past: A Visual History of Richmond, Kew, Petersham and Ham. London: Historical Publications, 1991.
Conrad, Barnaby. Absinthe: History in a Bottle. San Francisco: Chronicle Books, 1988.
Cook, Theodore Andrea. Old Provence. 2 vols. New York: Charles Scribner’s Sons, 1905.
Copley, Antony R. H. Sexual Moralities in France, 1780-1980: New Ideas on the Family, Divorce, and Homosexuality. London: Routledge, 1989.
Coquiot, Gustave. Vincent van Gogh. Paris: Ollendorff, 1923.
Corbin, Alain. Women for Hire: Prostitution and Sexuality in France After 1850 (Les filles de noce: Misère sexuelle et prostitution aux 19e et 20e siècles). Translated by Alan Sheridan. Cambridge, Mass.: Harvard University Press, 1990.
Craik, Dinah Maria. Thirty Years, Being Poems New and Old. London: Macmillan and Company, 1880.
Crissey, John Thorne, and Charles Lawrence Parish. The Dermatology and Syphilology of the Nineteenth Century. With an introduction by William B. Shelley. New York: Praeger, 1981.
Daudet, Alphonse. The Evangelist (L’évangéliste). Translated by W. P. Trent. New York: Society of English and French Literature, 1889.
de Brouwer, Ton. Van Gogh en Nuenen. 2nd rev. ed. Venlo, The Netherlands: Van Spijk, 1998.
Défossez, Marie-Paule. Auvers, or the Painters’ Eye (Auvers ou le regard des peintres). Translated by Patricia Wallace Costa. Paris: Valhermeil, 1986.
Dejollier, René. Charbonages en Wallonie, 1345-1984. Namur: Éditions Érasme, 1988.
de Leeuw, Ronald, John Sillevis, and Charles Dumas, eds. The Hague School: Dutch Masters of the 19th Century. Paris: Grand Palais, London: Royal Academy of Arts, and The Hague: Haags Gemeentemuseum, in association with Weidenfeld and Nicolson, 1983.
Demory, Évelyne. Auvers en 1900: Entre coteau et rivière. Paris: Valhermeil, 1985.
Denvir, Bernard, ed. The Impressionists at First Hand. London: Thames and Hudson, 1987.
De Vries, Jan, and A. M. van der Woude. The First Modern Economy: Success, Failure, and Perseverance of the Dutch Economy, 1500-1815. Cambridge: Cambridge University Press, 1997.
Dickens, Charles. The Centenary Edition of the Works of Charles Dickens: The Uncommercial Traveller. Vol. 36. London: Chapman and Hall, 1911.
———. Christmas Books and Stories. New York: Doubleday & McClure Company, 1899.
———. The Complete Works of Charles Dickens: Christmas Books. Vol. 25. New York: Harper & Brothers, 1902.
———. The Pickwick Papers. New York: Books, Inc., 1868.
———. A Tale of Two Cities. Edited by Richard Maxwell. London: Penguin Books, 2000.
Dijk, Wout J., and Meent van der Sluis. De Drentse tijd van Vincent van Gogh. Groningen, The Netherlands: Boon, 2001.
Distel, Anne, and Susan Alyson Stein. Cézanne to Van Gogh: The Collection of Doctor Gachet. New York: The Metropolitan Museum of Art, 1999.
Doiteau, Victor, and Edgar Leroy. La folie de Van Gogh. Paris: Aesculape, 1928.
Dorn, Roland, George S. Keyes, and Joseph J. Rishel with Katherine Sachs et al. Van Gogh Face to Face: The Portraits. Detroit: Detroit Institute of Fine Arts, Boston: Museum of Fine Arts, and Philadelphia: Philadelphia Museum of Art, 2000.
Dowbiggin, Ian R. Inheriting Madness: Professionalization and Psychiatric Knowledge in Nineteenth-Century France. Berkeley: University of California Press, 1991.
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Druick, Douglas, and Peter Zegers. Van Gogh and Gauguin: The Studio of the South. Chicago: Art Institute of Chicago and Amsterdam: Van Gogh Museum, 2002.
Drummond, Lewis. Spurgeon, Prince of Preachers. Grand Rapids, Mich.: Kregel Publications, 1992.
Dufwa, Jacques. Winds from the East: A Study in the Art of Manet, Degas, Monet, and Whistler. Stockholm: Almqvist and Wiksell International, 1981.
Dyos, H. J., and Michael Wolff, eds. The Victorian City: Images and Realities. 2 vols. Boston and London: Routledge and Kegan Paul, 1973.
Edwards, Tudor. The Lion of Arles: A Portrait of Mistral and His Circle. New York: Fordham University Press, 1964.
Eliot, George. Adam Bede. Edited by Stephen Gill. London: Penguin Books, 1980.
———. Daniel Deronda. London: Penguin Books, 1995.
———. Felix Holt: The Radical. Edited by Lynda Mugglestone. London: Penguin Books, 1995.
———. Scenes of Clerical Life. Edited by Jennifer Gribble. London: Penguin Books, 1998.
———. Silas Marner: The Weaver of Raveloe. Edited by David Carroll. London: Penguin Books, 1996.
Emerson, Ralph Waldo. Essays. Edited by Arthur Hobson Quinn. Whitefish, Mont.: Kessinger Publishing, 2008.
Engel, Louis. From Handel to Hallé: Biographical Sketches; With Autobiographies of Prof. Huxley and Prof. Herkomer. New York: Scribner and Welford, 1890.
Erckmann-Chatrian, Émile. The Conscript: A Story of the French War of 1813 (Histoire d’un conscrit de 1813). New York: Charles Scribner’s Sons, 1904.
Erpel, Fritz. Van Gogh: The Self-Portraits (Vincent van Gogh: Lebensbilder, Lebenszeichen). Translated by Doris Edwards and with a preface by H. Gerson. Greenwich, Conn.: New York Graphic Society, 1968.
Favazza, Armando R., and Barbara Favazza. Bodies Under Siege: Self-Mutilation in Culture and Psychiatry. Baltimore and London: The Johns Hopkins University Press, 1987.
Fell, Derek. Van Gogh’s Women: Vincent’s Love Affairs and Journey into Madness. New York: Carroll & Graf, 2004.
Fénélon, François. The Adventures of Telemachus, the Son of Ulysses (Les aventures de Télémaque, fils d’Ulysse). Edited by O. M. Brack, Jr., translated by Thomas Smollett, and with an introduction by Leslie A. Chilton. Athens, Georgia, and London: University of Georgia Press, 1997.
Flaubert, Gustave. Madame Bovary. Translated by Alan Russell. London: Penguin Books, 1950.
Forster, John. The Life of Charles Dickens. Philadelphia: J. B. Lippincott, 1897.
Foster, Julie, and Judy Simons. What Kathy Read: Feminist Re-Readings of ‘Classic’ Storiesor Girls. Iowa City: University of Iowa Press, 1995.
Fromentin, Eugène. The Old Masters of Belgium and Holland (Les Maitres d’Autrefois). With an introduction by Meyer Schapiro. New York: Schocken Books, 1963.
Gachet, Paul. Deux amis des Impressionnistes: Le docteur Gachet et Murer. Paris: Éditions des Musées Nationaux, 1956.
———, ed. Lettres Impressionnistes. Paris: Bernard Grasset, 1957.
———. Souvenirs de Cézanne et de Van Gogh à Auvers: 1873-1890. Paris: Les Beaux Arts, 1953.
Galbally, Ann. The Art of John Peter Russell. Melbourne: Sun Books, 1977.
Gauguin, Paul. Intimate Journals (Avant et après). Translated by Van Wyck Brooks. Bloomington: University of Indiana Press, 1963.
———. Letters to His Wife and Friends (Lettres de Gauguin à sa femme et à ses amis). Edited by Maurice Malingue, translated by Henry J. Stenning. Cleveland: World Publishing Co., 1949.
———. Paul Gauguin: 45 Lettres à Vincent, Théo et Jo van Gogh. Edited by Douglas Cooper. The Hague: Staatsuitgeverij, 1983.
———. The Writings of a Savage: Paul Gauguin (Écrits d’un sauvage: Paul Gauguin). Edited by Daniel Guérin and translated by Eleanor Levieux. New York: Da Capo Press, 1978.
Gauzi, François. Lautrec mon ami. Paris: La Bibliothèque des Arts, 1992.
Gay, Peter. The Naked Heart: The Bourgeois Experience; Victoria to Freud. New York: W. W. Norton, 1995.
———. Pleasure Wars: The Bourgeois Experience; Victoria to Freud. New York: W. W. Norton, 1998.
———. The Tender Passion: The Bourgeois Experience; Victoria to Freud. New York: Oxford University Press, 1986.
Gedo, Mary Mathews. Looking at Art from the Inside Out: The Psychoiconographical Approach to Modern Art. Cambridge: Cambridge University Press, 1994.
Gigoux, Jean. Causeries sur les artistes de mon temps. Paris: Calmann Lévy, 1885.
Gilman, Sander L., et al. Hysteria Beyond Freud. Berkeley and Los Angeles: University of California Press, 1993.
Goldstein, Jan. Console and Classify: The French Psychiatric Profession in the Nineteenth Century. Chicago: University of Chicago Press, 2001.
Goldwater, Robert. Symbolism. New York: Harper and Row, 1979.
Goncourt, Edmond de. Elisa (La fille Élisa). Translated by Margaret Crosland. New York: Howard Fertig, 1975.
———. The Zemganno Brothers (Les frères Zemganno). Translated by Leonard Clark and Iris Allan. London: Mayflower-Dell, 1966.
——— and Jules de Goncourt. French XVIII Century Painters: Watteau, Boucher, Chardin, La Tour, Greuze, Fragonard (L’art au dix-huitième siècle). Translated by Robin Ironside. London: Phaidon Press, 1948.
———. Germinie (Germinie Lacerteux). Translated by Martin Tunnell. London: Weidenfeld and Nicolson, 1955.
———. Paris and the Arts, 1851-1896: From the Goncourt Journal. Translated and edited by George J. Becker and Edith Philips with an afterword by Hedley H. Rhys. Ithaca, N.Y., and London: Cornell University Press, 1971.
———. Sister Philomène (Soeur Philomène). Translated by Laura Ensor. New York: Howard Fertig, 1975.
Goudsblom, Johan. Dutch Society. New York: Random House, 1967.
Gowers, William Richard. Epilepsy and Other Chronic Convulsive Disorders, Their Causes, Symptoms and Treatment. London: J & A Churchill, 1881.
Graetz, H. R. The Symbolic Language of Vincent van Gogh. New York: McGraw-Hill, 1963.
Gray, Christopher. Armand Guillaumin. Chester, Conn.: Pequot Press, 1972.
Groot, Reindert, and Sjoerd de Vries. Vincent van Gogh in Amsterdam. Amsterdam: Stadsuitgeverij, 1990.
Guiral, Pierre. La vie quotidienne en Provence au temps de Mistral. Paris: Hachette, 1972.
Hammacher, Abraham Marie. Van Gogh en Belgique. Translated by A. H. Wolters-Girard. Mons: Musée des Beaux-Arts de Mons, 1980.
Harsin, Jill. Policing Prostitution in Nineteenth-Century Paris. Princeton: Princeton University Press, 1985.
Hartrick, Archibald Standish. A Painter’s Pilgrimage Through Fifty Years. Cambridge: Cambridge University Press, 1939.
Havard, Henry. The Heart of Holland. Translated by Mrs. Cashel Hoey. London: Richard Bentley & Son, 1880.
Hendriks, Ella, and Louis van Tilborgh. Vincent van Gogh: Paintings, Volume 2: Antwerp and Paris, 1885-1888. Zwolle: Waanders and Amsterdam: Van Gogh Museum, 2011.
Herbert, Eugenia. The Artist and Social Reform: France and Belgium, 1885-1898. New Haven: Yale University Press, 1961.
Herkomer, Hubert von. The Herkomers. 2 vols. London: Macmillan, 1910.
Homburg, Cornelia. The Copy Turns Original: Vincent van Gogh and a New Approach to Traditional Artistic Practice. Amsterdam and Philadelphia: John Benjamins, 1996.
———, Elizabeth C. Childs, John House, and Richard Thomson. Vincent van Gogh and the Painters of the Petit Boulevard. St. Louis: Saint Louis Art Museum and Rizzoli, 2001.
Howells, John G., ed. World History of Psychiatry. New York: Brunner/Mazel, 1975.
Hugo, Victor. The Last Day of a Condemned Man and Other Prison Writings (Le dernier jour d’un condamné). Translated by Geoff Woollen. Oxford: Oxford University Press, 1992.
Jackson, J. Hughlings. Neurological Fragments. With a Biographical Memoir by James Taylor. Oxford: Oxford University Press, 1925.
Hulsker, Jan. The New Complete Van Gogh: Paintings, Drawings, Sketches. Revised and enlarged edition. Amsterdam: John Benjamins; Meulenhoff, 1996.
———. Vincent and Theo van Gogh: A Dual Biography. Edited by James M. Miller. Ann Arbor, Michigan: Fuller Publications, 1990.
Hutchison, Sidney C. The History of the Royal Academy: 1768-1968. London: Chapman and Hall, 1968.
Inwood, Stephen. A History of London. New York: Carol and Graf Publishers, 1998.
Ives, Colta, Susan Alyson Stein, Sjraar van Heugten, and Marije Vellekoop. Vincent van Gogh: Drawings. New York: The Metropolitan Museum of Art, Amsterdam: Van Gogh Museum, and New Haven: Yale University Press, 2005.
James, Henry. A Little Tour in France. Boston and New York: Houghton, Mifflin & Company, 1884. (Originally published under the title En Province in 1883-84, as a serial in The Atlantic Monthly.)
———. Parisian Sketches: Letters to the New York Tribune, 1875-1876. Edited by Leon Edel and Ilse Dusoir Lind. New York: Collier Books, 1961.
Jansen, Leo, Hans Luijten, and Nienke Bakker. Vincent van Gogh: Painted with Words; The Letters to Émile Bernard. New York: Rizzoli, 2007.
Jefferies, Richard. The Story of My Heart: My Autobiography. London: Longmans, Green, and Company, 1883.
Jerrold, Blanchard, and Gustave Doré. London: A Pilgrimage. New York: Dover Publications, 1970.
Jirat-Wasiutynski, Vojtech. Paul Gauguin in the Context of Symbolism. New York: Garland, 1987.
Jullian, Philippe. Montmartre. Translated by Anne Carter. Oxford: Phaidon, 1977.
Karr, Alphonse. A Tour Round My Garden. Revised and edited by John George Wood. London and New York: G. Routledge & Co., 1855.
Kearns, James. Symbolist Landscapes: The Place of Painting in the Poetry and Criticism of Mallarmé and His Circle. London: Modern Humanities Research Association, 1989.
Kempis, Thomas à. The Imitation of Christ: In Three Books (De imitatione Christi). Translated and edited by Joseph N. Tylenda with a preface by Sally Cunneen. New York: Vintage Spiritual Classics, 1998.
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King, Edward. My Paris: French Character Sketches. Boston: Loring, 1868.
Knippenberg, Hans. Deelname aan het lager onderwijs in Nederland gedurende de negentiende eeuw. Amsterdam: Koninklijk Nederlands Aardrijkskundig Genootschap voor Sociale Geografie, Universiteit van Amsterdam, 1986.
Kôdera, Tsukasa. Vincent van Gogh: Christianity Versus Nature. Amsterdam and Philadelphia: John Benjamins, 1990.
Kools, Frank. Vincent van Gogh en zijn geboorteplaats: als een boer van Zundert. Zutphen, The Netherlands: Walburg Pers, 1990.
Kraus, G. The Relationship between Theo and Vincent van Gogh. Translated by G. J. Renier. Otterlo: Kröller-Müller Stichting and Amsterdam: J. M. Meulenhoff, 1954.
Lanier, Dorris. Absinthe: The Cocaine of the Nineteenth Century; A History of the Hallucinogenic Drug and Its Effect on Artists and Writers in Europe and the United States. Jefferson, N.C.: McFarland and Company, 1995.
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———. Mon frère Yves. Paris: Calmon Levy, 1884.
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Mathews, Nancy Mowll. Paul Gauguin: An Erotic Life. New Haven: Yale University Press, 2001.
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———. Paul Gauguin et Vincent van Gogh, 1887-1888: Lettres retrouvées, sources ignorées. Taravao, Tahiti: Avant et Après, 1989.
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———. Woman (La femme). Translated by John Williamson Palmer. New York: Rudd and Carleton, 1860.
———. The People (Le peuple). Translated by John P. McKay. Urbana: University of Illinois Press, 1973.
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———. Utilitarianism. London: Parker, Son, and Bourn, West Strand, 1863.
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